God’s Unholy Word: The Bible Is Pure Hysterical Fiction

We all could be players on the world stage, still the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual demonstration, like in real life? Much like dreams our imaginations get introduced to us over the mental screen as though we had been watching television or movies. And just as in dreams the actual world becomes supplanted by the virtual world although we are fully awake. That planet has perfect resemblance to the real one and what happening in it appears real as a result of something shifting in our cognition faculty. However, the mechanism that triggers our psychological responses stays unchanged and consequently we respond to this fiction in precisely the same manner as in actual life.

Here we have some similarity with the digital reality of the modern computer technologies, which can be an artificial environment created by applications. It is presented to the viewer in this manner that the individual temporarily suspends own belief pattern and accepts it as a true environment. In a way it is not different from the phenomenon of being transported to the imagined universe of fiction, except that the computer performing the job is in the mind and we have no clue as to what is the software and who’s your developer.

That brings us to the cause of emotional response. In respect to fiction that the most common emotions are likes and dislikes that could turn into their stronger forms of love and hate. In real life we love or hate someone because of some attachment through kinship, friendship, or even through indirect understanding of the person. An individual cannot love or hate a person a person does not understand in any way. Attachment can also be on other living beings, material things, and even to imaginary things. We love or despise a story or even an idea. For a typical person it is impossible to live unattached to things in the world. If one is able to get rid of attachment, one joins the rank of enlightened souls who are indeed rare. We carry our ability and desire for attachment into the imaginary world of fiction. We view the characters that we come to know as the story progresses, shape our preferences, and respond in precisely the identical manner as in real life except we cannot socialize together physically. But we do interact together in our heads and hearts from where the feelings come. go to website is such a broad field of study, and you do have to decide which of the overall parts of the puzzle are more relevant to you. But in the final analysis you are the only individual who can correctly make that call. But we are not done, yet, and there is usually much more to be revealed. We are keeping the best for last, and you will be delighted at what you will find out. We believe you will find them highly pertinent to your overall goals, plus there is even more.

The fact is that in a specific sense life is fiction. Just like a narrative it’s a beginning, an end, and also lot of things in between. We do not know who writes this fiction nor will ever understand. Thus we have an inborn affinity with fiction and cannot completely detach ourselves from it. And perhaps that’s why, while studying or viewing fiction we get dropped in the wonderland of creativity, but for this short period we operate exactly in the exact same manner as we want in the real world of our understanding. In that sense fiction is just invented reality.

Theme is why fiction things, because it is the quality that provides the story a universal appeal. Some say motif is what the story is all about, but that’s too ephemeral a definition, which may get confused with all the idea or the plot.

Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the story forming the story’s heart and soul that the exposition, dialogue, and action reflect every opportunity they get.

Theme isn’t the characters or the storyline or the original idea that started the story. For example, a writer could start with the idea of exploring family relationships between women, but as his story progresses, his subject may shape up as forgiveness and understanding between different generations of females. There are some topics on which it is very hard to write any kind of story.

Theme is indicated, occasionally without the author’s knowing of it at the beginning; however, more seasoned authors usually work on their subject more difficult than any other part of the narrative as soon as they grab on to what it is they’re writing about.
In non-fiction, the author is suggested to hone in to his theme and start referring to it at the first paragraph. In fiction, on the other hand, the motif generally blossoms through the writing as the story progresses.

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